
I S S U E 1 5 J U L Y , 2 0 2 4



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MAY Issue # 14
Jet Cabin Freshbook LLC - A Jet Media company
All rights reserved
All rights reserved - JetCabin Freshbook Magazine, a Jet Media Company
Issue 15 / JULY, 2024

F E A T U R E S
1 Airborne Cafe - Thomas Chatfield - Defining the Indefinable, the Art of Emotion.
7 JetZign Feature - Gettin' it Done & Gettin' it Won. M&R Associates Design
11 DUNCAN Aviation - A Look Back Over 65 Years of Jet Center History
18 AI Meets AI - A Deep Dive Into AI And How It Could Impact Design & Completions
26 TEXTILES - Managing Aesthetics & Wearability - by Robin Butler
31 Yachtspace - The Legendary 414 Ft Superyacht, "Octopus"
39 Winch Design - Putting the Balmy Blues in a Pre-Owned Global 6000 .
FEATURE ARTICLES
Photo by: Dave Koch
I was recently on a short biz trip to and from Italy, too short to be honest. Too short because it was "Italy" and too short because it's borderline self-abuse undergoing the pain of a long international turnaround.
Words From The Editor
Rick Roseman -
Publisher / Editor
From The Editor

So of course I did what we all do in such cases. I immediately began lamenting and whining to myself (and anyone else that would listen) about how dreadful and awful it is to spend hours upon horrid hours on airplanes and in airports - subjecting myself to jetlag, bad food, throngs of travelers and ill mannered seat mates - to name a few.
But somewhere over the Atlantic on my return flight, struggling to get my headphones comfortably positioned so I could binge my way through past episodes of Yellowstone, it dawned on me that MAYBE, just maybe, the rigors of international travel could be seen through a slightly different lens. For example, MAYBE, just maybe ol'e John Dutton's ancestors, trying to survive among an unforgiving hostile American west in 1860, just might not find my poor grievous circumstance quite so horrific.
It just might be that old man Dutton would quite relish the idea of having his favorite whiskey brought to him in a proper glass, comfortably seated in a climate controlled environment traveling eight miles above the earth at 600 mph. It might be that ol'e man Dutton would somehow be ok having a hot prepared meal brought to him on crisp linens, accompanied by clean polished flatware and his favored wine varietal to go with the steak.
And, who knows MAYBE he would somehow find novelty in pushing a button and having his chair recline as a movie plays across a private screen directly in front of him. Or maybe his curiosity would be piqued having a look out the window as the southern tip of Greenland passed silently beneath him.
Yep, we all live among our own circumstance and generally form our perspectives accordingly. But it was very humbling for me to roll back the clock even a short 180 years. In an instant my whining was replaced by the the very hard, very real reality of those that came before us . For many of our ancestors, merely eeking out enough sustenance to survive another day was their daily grievance - and there was little time to share it with others or sob over their lot in life.
Dealing with airports and commercial air flight is for most, anything but fun. But the next time you find it necessary to whine over a 9 hour Atlantic crossing while watching your favorite movie and stirring the chocolate into your ice cream ....maybe think about ol'e man Dutton. With all the problems that plague us, every one of us are living far above those that came before us.


First Visit? JCF Magazine is about Jet Interiors; the designers that design them, the centers that build them and above all, the cabin suppliers - worldwide, that ultimately make it all possible.
If your company belongs to one of these groups, let yourself subscribe to something worthwhile for a change. Stay fresh, participate and grow.



4
INSTALLMENT

Challenger 606: Martin Kemp Design
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the art of emotion in private jet interior photography

Photograph by Colin Chatfield


n the heels of every significant VIP aircraft completion, comes photography. Like the proud parents of a son or daughter approaching graduation, so too are the owners, the centers, the designers and almost everyone involved in the long process of a new beautiful aircraft - as it emerges from the completion bay, ready for re-delivery. Every significant, highly custom interior completion is a long process involving teams of technical and aesthetic artisans. From the key technical personnel on the hangar floor, to the designers, the DERs, the engineers - and the myriad of external vendors - each of them have remained laser focussed on a common goal throughout; a finished product that meets or exceeds the owner's vision and the design renderings they signed off on. For these people, not to mention the owners - photography is much more than some stale visual record of the project, it is the face of a well-earned accomplishment and the visual embodiment of pride!
This is where photography plays such an important role. It freezes that moment when everything is perfect and new. It captures the visual beauty and by extension, all the intense work and craftsmanship that went into it. But there are photographers and there are photographers. In this installment of Airborne Café, Thomas Chatfield delves into the emotional aspects of aviation interior photography - the way an exceptional photographer can bend the framework of normalcy and offer up the artful and the nuanced - that which evokes imagination and captures the beauty that often goes unseen. In the adroit hands of an exceptional photographer, the human eye, in concert with a camera, can unfold an entire story in a series of images that will transcend the ordinary and instill pride on a whole other level.

This is the fourth installment of Airborne Cafe. We are proud to embark on this ongoing series of thoughts, extollings and stories from one of the premier figures in our industry. In each issue Thomas Chatfield will offer us thought provoking articles like the one above - each of them relevant and insightful from the perspective of private aviation. Simply hit the link at right to finish the article and while you're there, learn more about Camber Aviation Management and the importance of their work
Thomas Chatfield - Executive Contributor & CEO
Camber Aviation Management
“Photographic images hold sentimental value. They preserve the personality of the owner and the many experiences shared aboard, transforming a personal (and often emotional) investment into something tangible
and meaningful.”
O
- Thomas Chatfield

"The top DESIGN studios around the world are absolutely the ones that inform the industry and set the trends."
Jetzign is where we highlight the very latest from the top designers and studios. Whether it be the iconic independents or the great design departments within the world's top completion centers, this is where you will find their latest works - and always with an emphasis on the near-term future of cabin design

Image courtesy of Sotto Studios
This entry of Jetzign foucuses on the winner of one of the most important categories of the International Yacht & Aviation Awards. Judged by their peers rather than a panel, the YA awards have become one of the most sought-after accolades in the industry - and this year one Europe's power-house studios took the prize for "best VIP aircraft Interior Concept". Geneva based M&R Associates Design, won the category and we're proud to feature the images and videos upon which their peers voted.

Raw Airborne
S E D U C T I O N
The one emotion that renders us all helpless. It's what happens when Geneva based M&R Associates Design teams up with Boeing to reimagine the BBJ Boeing 737-8 interior cabins.


Project BBJ-8 Elysium and its designers, M&R Associates Design was just voted a winner in the 2024 International Yacht & Aviation design et al:
In aviation, where space is often at a premium, our design team embarked on a pioneering journey to transform the interior of the BBJ Boeing 737 - 8 into a haven of unrivalled luxury, comfort and well-being. Building on the aircraft's intrinsic characteristics, we rethought every aspect of the cabin to optimize the passenger experience, from optimizing space to integrating cutting-edge technologies to enhance relaxation and productivity. Our vision goes beyond mere functionality to create an atmosphere of serenity and conviviality, where passengers can relax, work and connect in harmony with their surroundings.


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An oasis of serenity amidst the clouds.


Maximizing space and comfort:
At the heart of our design philosophy is the ambition to redefine the spatial dynamics of the BBJ Boeing 737 – 8 cabin. By ingeniously configuring the layout, we have optimized passenger capacity while ensuring that each passenger benefits from a complete sleeping position, a feat unheard of in this aircraft segment. The integration of multifunctional seats enables smooth transitions between daytime seating and night-time rest, guaranteeing maximum comfort throughout the journey.
Every inch of space is transformed by our groundbreaking cabin shell design. With panels meticulously set back and highlighted by a central profile integrating the specific Boeing air dock, our cabin envelops you in unparalleled luxury and space. Within, “wave” panels define intimate spaces, creating a haven of comfort and coziness.



Promoting well-being through technology:
In our quest for passenger well-being, we have integrated cutting-edge technologies to meet a variety of needs, from relaxation to productivity. The introduction of advanced in-flight entertainment systems, combined with ergonomic seating, creates an immersive environment where passengers can relax while watching their favorite movies or performing productive tasks.
The social center: Lobby and Kitchen bar:
Creating social spaces that encourage interaction and camaraderie between passengers is at the heart of our design concept. The lobby is a welcoming area where families or colleagues and staff can gather to share convivial moments or collaborate on work projects. All seats in this area can be converted into sleeping positions, meeting the needs of overnight flights and ensuring that passengers arrive at their destination well rested and refreshed.

Exclusively designed by M&R Associates Design on behalf of Boeing Business Jets.
Winner 2024 Yacht & Aviation Awards et al.
Adjacent to the lobby, the central Kitchen bar invites passengers into a spacious enclave designed for relaxation and collaboration.
A large communal table accommodates up to six people, providing ample space for meetings or casual conversations and also for a luxurious dining time where guests can watch the chef prepare and dress the dinner before savoring refined cuisine.
Before and during the working time the innovative technology enables documents to be shared seamlessly on an OLED screen, facilitating productive discussions while maintaining a sense of privacy and exclusivity.


Private retreat: Owner's suite and spa bathroom:
After the common areas, the cabin unfolds into a private sanctuary reserved for VVIP or government flights. Here, the mood shifts to intimacy and exclusivity, starting with a secluded lounge that offers a respite from the hustle and bustle of social life. Further aft, passengers are greeted by a luxurious bedroom, complete with Queen-size bed, large OLED screen and dedicated workspace. The suite is meticulously designed to accommodate a variety of activities, including sleep, meditation, yoga or personal relaxation.
The owner's suite offers a spa-inspired bathroom, reimagined as a sanctuary of rejuvenation and tranquility. Equipped with state-of-the-art amenities, including a shower and wellness facilities, the bathroom invites passengers to let themselves be pampered according to their needs. Whether relaxing after a yoga session or revitalizing after a workout, the spa bathroom offers an oasis of serenity amidst the clouds, ensuring that every journey is one of comfort and well-being.


From communal spaces that encourage social interaction to private retreats that offer sanctuary in the sky, every aspect of the cabin has been meticulously designed to evoke a sense of tranquility and conviviality.




My aviation career spans a quarter century, and during those years, I’ve seen almost every one of our competitors bought, sold or change their name. Duncan Aviation has remained exempt from this practice by investing in a family owned brand that’s stronger than ever.

Todd Duncan - Chairman

When it comes to states, you don't get any more mid-west than Nebraska. It's the Great Plains in all it's glory, the meeting place of the Transcontinental Railway and was no stranger to Lewis & Clark. Yet in the middle of the last century, it was hardly known for aviation - that is until a young upstart named Donald Duncan came along - and the rest, as they say, is history. Duncan Aviation is one of the preeminent business jet centers in the world, and for good reason. They've been doing what they do since the mid-1950's. It's a family legacy of the sort you rarely hear about anymore. And when you do hear about them, whatever resemblance to 'family-run' has long gone by the wayside. But for the Duncan family, the idea of being anything but a family business was never even tendered for discussion. This is their story. . .

Interview by Rick Roseman
Article by
M A T T H E W B R E N N E R


JCF: It looks like Duncan Aviation has been around much longer than most jet centers; 1956 if my information is correct. And I would also venture to say there probably haven’t been many centers started by an Iowa farmer. That seems like a good place to start. Can you fill that story out for us a little more?
ML: Duncan Aviation has a long history, that’s for sure. The company dates back nearly 68 years when a young entrepreneur named Donald Duncan realized the value airplanes could bring to local businesses, so he bought into a Beechcraft distributorship in Omaha, Nebraska. And that’s what formed the roots of Duncan Aviation. In those early days, as a dealer, he sold hundreds of Bonanzas, Travel Airs, Twin Bonanzas, Barons, and Twin Beeches.
In 1963, a second Duncan Aviation was opened in Lincoln, Nebraska, at the then-new Lincoln Municipal Airport. Quickly thereafter, Donald arranged to be a Learjet Distributor. And as with the prior distributorship, he went on from there selling hundreds of Learjets.
Later in 1967, Donald moved the headquarters to Lincoln and closed the Omaha location. Then in ‘68, Donald’s son Robert, who had worked full-time for the company for only three years, became President. Although Duncan Aviation no longer had a jet distributorship, the company supported a growing resale market for Learjets and other business aircraft. The sales division was led by Donald, and Robert ran the day-to-day operations of line/fuel services, aircraft maintenance and support. He foresaw the ongoing needs of supporting the aircraft his father sold from tip-to-tail and slowly grew those capabilities.
JCF: That’s certainly a grassroots beginning. But I know Duncan has grown dramatically since those days. Can you unfold the story a bit further bringing us to present day?
ML: Sure, so, throughout the ‘80s and early ‘90s, Duncan Aviation grew in size and experience spurred along by a lot of innovations. Dozens of partnerships with aircraft manufacturers were forged and authorized service agreements were obtained for the major OEMs. Innovative growth also came from development of a satellite avionics network, a parts consignment service, and a jet acquisition/consulting arm.
Then in 1996, Aaron Hilkemann became President of Duncan Aviation and it was he that developed a senior leadership team to help guide the company and make mindful, strategic decisions. Over the next 25 years, the company quadrupled in size. Some of the strategic moves that made all that happen include: a 1998 acquisition in Battle Creek, Michigan; continued growth of its avionics network; development of engine Rapid Response service teams; construction projects to enlarge existing maintenance and repair facilities both in Nebraska and Michigan; and ground-up development of a maintenance and repair facility in Provo, Utah. Innovation and change have always been a part of Duncan Aviation.
In 2007, Robert retired and his son and longtime Duncan Aviation team member Todd Duncan was named Chairman, where he still leads the company's Board of Directors currently.
Today I sat down with Ms. Mary Lee, Duncan Aviation's Senior Lead Designer for the back-story on the company. We discussed their history, their legacy and their future. Here's my interview.

P A I N T
from simple to showcase
Exterior livery. There's nothing like that exterior signature. In the air or on the ramp, it's important to every owner and it's one of Duncan Aviation's top menu items. Design it...strip it...paint it, and watch the heads turn when you roll up to the FBO.



JCF: Someone either told me or I read somewhere, that Duncan Aviation is the largest aviation network in the world, or some such distinction. Is that right?
ML: Well, that’s close, yes. Today, Duncan Aviation is the world’s largest business aviation support network. We have a history of launching new ideas and an ability to innovate and transition to future aviation trends. Duncan Aviation is still headquartered in Lincoln but has two other full-service locations and dozens of smaller shops and teams located across the United States.
JCF: Since our magazine is focused on Interiors, I think our readers would most be interested in that part of your business. From what I already know about Duncan Aviation, I know refurbishments accounts for most of your interior work so can you please sort of walk us through that process from the customer’s perspective. Let’s say I have a G-550 that is in sore need of some love. Where would we start?
ML: Sure, so it’s common practice for our designers to join our sales team members before a proposal is even produced. They also meet with scheduling teams to help determine the lead time for the specified materials, all of which has an impact on the final schedule offered to our clients.
When planning a large refurbishment project, the Duncan Aviation team likes to walk through the aircraft and meet with the operator in person. They then have a spec meeting that includes the Interior Sales and Avionics Sales teams, a Lead Designer, Project Manager, and often, a Design Engineer. If the customer is on-site, we welcome them to our Design Centers located at each of our three full-service facilities. This is where they choose materials, colors, and create the overall design aesthetics. Throughout the entire process of refurbishing an aircraft, the Designer is in constant contact with the customer updating them on the process and asking questions as necessary.
JCF: So, clearly you maintain fully staffed design departments across various locations. Can you tell us if you maintain an internal design studio or showroom - and if so, how you assist customers in settling on the design and materials they’re hoping for?
ML: We always invite our customers to come to one of our full-service facilities, each hosting full Design Centers. Those locations are in Lincoln, Nebraska, Provo, Utah, or Battle Creek, Michigan and the purpose of the meetings are to build an interior specification for the aircraft. In order to make the process easy and enjoyable, our Design Centers are comfortable, pleasing and fully equipped with large libraries of luxurious materials, custom carpets, exotic veneers, hard-surface flooring, hardware options, and even visual mock-ups to give our customers a variety of selections to choose from. We encourage customers to tour our facility while they are here to experience for themselves the dedication and quality of work being completed by our technicians. Our back-shops include on-site Cabinetry, Interior Completions, Upholstery, and Finish shops.
The showroom is lined with custom cabinetry and expanded display space to showcase material options and a wide range of aircraft-specific products. It’s an open, interactive space where customers are invited to work with designers to select materials and finishes for their interior refurbishment and also exterior paint.
In addition to creativity and artistry, Duncan Aviation’s Designers bring a wealth of aircraft-specific knowledge that is vital for every aircraft project they touch.
Every project has a dedicated designer to assist and support the customer in confidently selecting the best interior materials – as well as designing the perfect exterior paint scheme, giving that “ramp presence.”

C U R V A C I O U S
credenza
Some of our clients are looking for traditional. Others are looking for a statement. We handle both and revel in the opportunity to challenge ourselves.
JCF: In looking at your gallery, it appears you’ve worked on just about every business jet out there – but with perhaps a focus on the top-tier of the market; i.e. Gulfstreams, Globals, Falcon 7X and the like. How would you describe your ‘core’ market and what have you learned over the years in taking care of that particular segment of the market?
ML: It's true, we refurbish just about every type of business aircraft out there. Challengers, Citations, Embraers, Falcons, Globals, Gulfstreams, Hawkers, Learjets and even Pilatus aircraft. We once fully refurbished a Grumman G-111 Albatross. We are also beginning to see newer ultra-large aircraft such as the Gulfstream G650 come through our facility for paint and partial interior.
JCF: You touched on your back-shops above. I’m guessing they must be fairly extensive to handle the number of aircraft you complete each year. Can you talk a little more about those shops and how they work together in turning out a typical new interior?
ML: Yes, extensive is the word alright. Duncan Aviation’s long list of skilled back-shops are capable of handling all the common squawks that often occur, and are also prepared to handle any others that may be discovered during refurbishment and flight testing. The value of Duncan Aviation’s back-shops is measured by more than dollars. They are invaluable in providing competitive quotes, aggressive downtimes, quality products, and customer support that keeps our projects on schedule and which continue long after the aircraft has left the hangar.
Our internal back-shop services consist of virtually everything, nose to tail, including avionics and flight deck – however in terms of interior, we maintain the following fully onsite back-shops: Burn Testing, Full Cabinetry, Interior Finishes, Seating Upholstery and pretty much everything related to interior fabrication and installation.
JCF: I know Lincoln, NE is your home and primary full-service location – but I was surprised to learn how many satellite support locations you have. That must be quite a draw for your customers. Can you spend a couple of minutes telling us how these ancillary locations support your customers in real terms – and also a little about your AOG program?
ML: Of course, so Duncan Aviation's Satellite Shops are strategically based at more than 26 business aviation airports across the United States. Each location is interdependent, sharing staff and resources to support customers anywhere they land or hangar their aircraft.
Operators located at airports with a Duncan Aviation Satellite facility nearby use these shops for their front-line avionics service needs. In addition to avionics line services, we are also able to provide avionics service and support to aircraft operators during times of critical, casual, or remote-location needs and have the skilled personnel and equipment to provide popular avionics installations.
As for Duncan Aviation’s AOG teams, we are backed by airframe, engine, and avionics technicians strategically located across the US. They arrive on location able to provide what is needed, precisely when and where it’s needed.


Continue this article below
ML: A call received through Duncan Aviation’s published AOG number is answered by a team trained to ask the right questions in identifying the AOG issue, whether it’s airframe, avionics, or engine related. This information is immediately routed through the app to the person on-call and nearest the event, always putting the right person in contact with the customer as quickly as possible.
JCF: It looks like you offer paint as well, but it’s described as paint refurbishment. Can you please put a finer point on that? I suppose we’re talking repair, re-striping perhaps but not full strip and paint. Is that correct and if so, is that typically what most of your customers require?
ML: Paint is actually something Duncan Aviation is well-known for in the industry. We are capable of full strip and paint on all sizes of business jets. From Matterhorn White with a traditional stripe, to the most intricate of designs, we are capable of just about anything. Our company owned aircraft are great examples. We currently operate, or previously operated, an apple green Citation M2 with red, blue, and yellow paint splatters, a yellow and orange plaid Citation Mustang, a sky blue Citation XLS with roses and ravens, a red and black Learjet 35A, a Bonanza with Duncan Aviation icons, and most recently, a one-of-a-kind Pilatus PC-12 that features one of Todd Duncan’s hobbies, fishing.
Other unique paint schemes consist of a GLEX-XRS with an arctic camo paint scheme, a Gulfstream with a hand-painted sunset on the tail, a flashy black and gold Gulfstream for Rick Ross, geometric patterned paint on a Falcon, and a color-changing metallic scheme on a Gulfstream.
Duncan Aviation truly is one of the busiest paint providers in the business aircraft refurbishment industry. We paint more than 200 aircraft per year at our state-of-the-art facilities in Battle Creek, Lincoln, and Provo.
We are capable of handling all sizes of business jets including Gulfstream, Global Express, Legacy, Falcon 7X and mid-cabin airframes such as Lear 45, Challenger 300, Falcon 2000, and Citation 680 aircraft, to name just a few.
As you might imagine, we utilize the very latest in paint products, equipment, and technology. Our down and cross-draft paint and prep booths have automatic heat and humidity control systems creating the ideal process environments in producing the very highest quality paint.
JCF: Lastly, I just wanted to say I’ve known the Duncan Aviation name ever since I joined the business. We won’t go into exactly how long that’s been but a long time. Can you maybe sum up by defining a few of the core values that have kept you so successful over almost a century of business?
ML: Yes, so, Duncan Aviation believes the most important contributor to customer satisfaction is the quality of our workforce and the training our team members receive. Basically, we believe that if we take care of our team members, our team members will in turn take care of our customers. It’s a simple philosophy, but it works.
...Continued from above

ML: Duncan Aviation also recognizes the crucial role that plays in all relationships, and most particularly in working relationships. Regardless of whether those relationships are among team members or between Duncan Aviation's team members, vendors and customers, trust is the foundation upon which the business was built, the reason it’s grown and the reason it still succeeds today.
JCF Magazine would like to thank Mary Lee and Eric Anderson for the above interview and Lori Johnson also for her coordination in supporting our efforts.
For more on Duncan Aviation, visit: duncanaviation.aero


The Duncan Family
Todd Duncan (far right) and his father Robert (middle right) and twin sons, Harrison (far left) and PK (middle left).


hich acronym do you prefer? Might as well pick one, because they’re growing closer together with each passing day. As an industry, Aircraft Interiors is the game we’re all in but one could certainly say the same about Artificial Intelligence, yet it’s hardly confined to an industry. That particular AI is already deeply embedded into almost every facet of our lives, even if we aren’t aware of it. It’s a big topic and I for one, know very little on the subject beyond how it’s most certainly destined to change the world AND destroy it, depending on who you’re talking to.
But today, we’re talking to Jim Roseman, a scholar and author in Dallas and as it also happens, my brother. While Jim has written books and papers on many subjects, mostly in the academic world, I was especially taken by his recent most dive into Artificial Intelligence. In it he thankfully took the time to dive deeper than most of us care to go on the subject AND inform on it’s three major types (yes there are three!). To say the very least, it’s fascinating and to go further is to realize that it’s literally Buck Rogers on crack kinda’ stuff. As a boy, even the notion of something like the internet was patently insane, beyond imagination. But AI? It might as well be time travel or particle transporters. It literally boggles the mind. But since none of us needs more of that, Roseman breaks it down for us in not so scarry terms we can all understand. And finally, at my insistence, he shows us a little of how AI is transforming and accelerating the other AI, Aircraft Interiors. It's already been heavily impregnated with pivotal AI integrations - and it’s only the beginning!
W

By: James Roseman

S P E C I A L C O N T R I B U T O R
Learn more about James Roseman
at the close of this article
RR: Thanks for joining me, Jim. We’ve had a few recent discussions on AI but mainly just topical and in my case mostly just regurgitating things I’ve read and seen in news pieces. But when you recently began unfolding your more expansive dive into AI and started spitting out terms like nuero-biophysical processes and hylomorphic theory, I thought, ok this is probably above my head. But before I drifted off, you started talking in terms I could understand. I think that was when you answered in relatively simple terms; What is AI? And since the beginning always seems to be a good place to start, maybe we can start there. Can I ask you to recite that rather simple / elegant answer?
JR: Sure, Rick. Here’s the way I put it in my lecture: AI is a complex system of hardware and software technologies built to compile and analyze extremely large data sets very quickly using complicated algorithms to produce pattern-based predictive and “creative” guess outcomes, or what you might call “insights,” and also actions – in other words, robotic and automated physical machine systems that are designed to mimic human behavior.
RR: As I alluded in my intro, there apparently are THREE types of AI. Can you please give us a breakdown of these and what distinguishes each.
JR: I use IBM’s simple breakdown – others put it slightly differently, but I think most basically agree. There are Artificial Narrow AI (or Weak AI); General (or Strong) AI; and Super AI. And within these three, IBM breaks down four functional types: Reactive; Limited Memory; Theory of Mind; and Self-Aware AI. The only one of the four that we have today is Artificial Narrow AI. The other two are only theoretical right now. Artificial Narrow or Weak AI is designed to perform single or “narrow” tasks, but it can perform them infinitely faster and often better than humans. Think of Google search or when IBM’s Big Blue beat Gary Garry Kasparov (International Chess Grandmaster) in the late 1990s or when Netflix recommends movies based on what you have watched before. That is Reactive AI. Examples of Limited Memory AI are Generative AI tools such as ChatGPT, Microsoft’s CoPilot, Google’s Gemini, and Apple’s recently announced ‘Apple Intelligence’ which uses Open AI’s ChatGPT - where AI predicts the next word, phrase, or visual element drawing on the whole vast internet, and “generating” an outcome. Virtual assistants like Siri, Alexa, Google Assistant, and self-driving cars are also examples of Limited Memory AI. Reactive and Limited Memory are the only types of AI that exist today. There’s no General (Strong) or Super AI currently, so there is also no Theory of Mind or Self-Aware AI today – these are the stuff of dystopian novels and movies.
RR: During one of our conversations, you mentioned that in the 1940s, figures like Alan Turing (WW2 codebreaker) and John van Neumann were of the general opinion even way back then, that the human brain and computers were similar and that it seemed reasonable that human intelligence could likely be replicated in computer programs. That seems pretty insightful for a time when the Enigma machine was the most sophisticated mathematical machine on the planet. Can you expound on their predictions please and how it’s helped bring us to where we are today?
JR: Yes. So, Turing, a mathematician, first floated this idea in a paper back in 1936. Then more specifically in a later published journal in 1950. Turing’s ideas were picked up by Dartmouth mathematics professor John McCarthy, and in 1956 he and some close friends and colleagues formed a two-month long 10-man workshop to explore creating a thinking machine. McCarthy said he needed a name for the purpose of the workshop, so he coined the term “Artificial Intelligence.” However, his friends didn’t much like the moniker because they imagined creating a genuine, not artificial thinking machine. Their vision was something closer to General or Super AI in today’s parlance. That workshop kind of jump-started the pursuit of AI in earnest in the 1960s. Since then, there have been many fits and starts. Lots of activity in the 1970s, a drop-off in the 1980s, renewed activity in the 90’s, and an explosion in the 2000s. It tracked along with the growth and change in computer technology and especially the internet, and now with quantum computing.
But it wasn’t a straight line from within a single discipline. It was a convergence. During the two-decade period between 1936 and 1956, many new philosophies and sciences emerged. Examples include new philosophies of mind and neuro-philosophy, neuroscience, neurobiology, cognitive science, linguistic science, and information theory – and obviously the development of the computer. Before 1936 . . . really, up until around 1950 . . . in the popular mind a “computer” was someone with a slide rule like Dad made us learn how to use. The first commercial mainframe computer came along in 1951. This convergence is the background that allowed the 1956 workshop group to begin imagining Artificial Intelligence in earnest.

RR: I certainly remember Dad and his slide rule tutorials! I think you also told me that Generative AI alone is estimated to raise global GDP by $7 trillion and lift productivity growth by 1.5 percent over a ten-year period, assuming it’s widely adopted. That’s pretty staggering. Can you connect the dots on that a bit and perhaps give us some examples of how AI implementations are directly responsible for economic growth.
JR: Well, that’s right. But no one really knows, of course. That $7 trillion number is an estimate made by the 2023 Stanford Emerging Technology Review. Just a couple of short comments on this. Since the launch of ChatGPT in the fall 2022, we’ve been in a steep, almost vertical take-up curve. This is normal and predictable with new technologies – it’s called the “hype cycle,” where there is a lot of noise (hype) around the introduction. As the hype curve reaches the top there’s a plateau. If advancements and new applications prove out, the curve starts over, and growth continues. That’s what many believe will happen with Generative AI. We are definitely in that steep vertical climb phase now and new uses for it are being discovered every day. It looks transformative. Especially, or at least in terms of efficiency – doing things much, much faster and with that, wholly new things, period. Like the discovery of new drugs (for example, the mRNA vaccine during Covid) and new diagnostics (for example, using AI to analyze vast databases of MRIs for cancer diagnosis and treatment; and doing it so fast that a whole medical school of doctors could not achieve the same thing in 100 lifetimes). The associated projections of economic growth are speculative. But as long as the negative downsides don’t derail things, downsides such as intellectual property issues, bias, and bad actors, the potential uses of GenAI are so vast that its contribution to economic growth will be enormous.
There are other issues that could constrain the growth, however. Not with its take-up but with its requirements. AI requires an array of special material natural resources, which requires exploration, extraction, shipment, and refinement. This raises some ecological concerns. AI also requires huge amounts of datacenters and electricity to power them – in 2022 data centers made up about 2.5% of electricity demand in the U.S. Some predict this will rise to 20% by 2030, and that AI will account for three-quarters of the demand; this will demand strengthening power grids around the world. Then there’s the human cost concern. The extraction of minerals and the manufacture and assembly of AI driven devices typically uses low-cost labor to make the growth cost effective. There are serious ethical concerns surrounding this issue. All of these issues show a kind of underbelly to AI. It is not clear whether they will constrain AI growth.
RR: It’s all incredibly fascinating and at times, hard to even comprehend where it all may take us as a species, let alone in various business sectors. But because we’re an aviation magazine focused on jet aircraft interiors, might you give us some examples of how our industry sector is already benefitting from AI and perhaps pontificate on where it may ultimately take us?
JR: Okay. I’ll tell you what I know, which is limited and of course fluid. As I’m sure you and your readers know, aviation as a whole has been using AI in various ways for some time now. For example, in the defense and the commercial aviation industries with the development and use of drones and with pilotless planes. It is also being used a lot in airline maintenance (predictive maintenance) and project management in aircraft manufacturing, like at Boeing and Airbus and increasingly in modification centers for defense, commercial, and private airplane construction and rehab. In and through these, logistics and supply-chain management runs through them all, for example for parts and inventory management. Also, AI is used in simulations for airline traffic control systems and flight simulators for pilot training. All of these applications utilize the machine learning components of AI, where data is developed and maintained to allow for rapid analysis and pattern recognition suggestions for design and development, including in avionics.
I have also come across a few articles about AI in the aircraft interiors space. Some that relate to visual scenario-based concept design using Generative AI – including hard surface finishes, fabric, carpet textures, and color palette scenarios, to name a few. Most are not great at this point. They often take more time to correct or refine than the effort is worth. But as they come along, I imagine there will need to be trained specialists to use them, as in the cases of CAD, Photoshop, 3D Max, etc. There are also the new AI-assisted project tools, such as those used in the aircraft manufacturing space. These will likely be applied more and more to the interiors space, if not already. Other areas where I can imagine AI might be applied include increased collaboration between interior designers and the engineering and certification teams. It all depends on the data that can be garnered to build machine learning use cases. I can foresee, for example, that if the data of enough finished interiors (the data) could be built into an AI machine learning and Generative AI tool, a whole interior, top-to-bottom, could be built and generated with all the necessary specs and certification requirements. It’s also reasonable to think that AI generated detail design analyses for use in leading up to what you call PDR and CDR, could be widely utilized at some point. That might be a stretch. But it’s certainly not out of the question.
It's important that designers begin to imagine and look for new tools that use AI. It could transform the space. At minimum, embracing AI will help maintain competitiveness and possibly create competitive advantage.
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F E A T U R E D V I D E O
KALOGRIDIS invites us into their magic lair where amazing custom airborne carpets are born.



When you open the door to the Lou Hansell Bespoke studio, the possibilities begin. Our artisans and designers have selected a palette of exquisite materials, with 51 shades of ltalian leathers, five metal and inner trim pairings, and personalization options. Driven by their boundless creativity, they combine their talents and craftsmanship to
create pieces you’ll cherish forever.


What happens to a boring ten year old Global 6000? When Winch Design is given the task, this is what transpires. Baltic blues and turquoise hues . . . the perfect airborne muse!
Winch Design is known for bold statements and there was no departure when it came to this project. The beauty and inspiration of this makeover is not simply that new life was breathed into an older aircraft. It's that the designers at Winch sought to equally distribute their boldness inside and out.
There is a thing called "ramp presence" and while it may not be important to every owner, with this one it clearly was. Long before you ever climb the airstair and peek inside, you are mesmerized by the stunning exterior livery, a scheme that grabs you and holds you from literally every angle - and whose pearlescent paint shimmers in the sunlight.
But let's do go inside, shall we? This cabin is to the senses what a buttery glass of Bordeaux is to the palette. It's bold alright, with a free flowing carpet that brings those bluesy hues right on inside - yet NOT at the cost of serenity. This interior was clearly designed to make a bold statement but at the same time, offer a quiet, otherwise monochromatic respite from the busy world below.



Winch Design is delighted to announce the completion of this extensive refurbishment of a Bombardier Global 6000. The project transformed a ten-year-old business jet into a unique contemporary masterpiece, both inside and out.
Light, neutral-coloured leathers, straight-grain walnut timber and gold almond metal accents form the base of the interior palette. The Aft Lounge bulkhead features a bespoke marquetry of colour-tinted burr whilst the mid and forward bulkheads are treated as vertical 3D slatted screens of light wood and mirror, providing privacy and transparency.
The hand-tufted wool carpet with a wave-like pattern in bright aqua blue, transitions through subtle gradients inspired by natural textures and vibrant ocean colours. The carpet’s colours are reflected in the stitching on the leather inlays of the tables, while the wave-like pattern continues across the upper side walls and ceilings, adding depth and character to the space.
The exterior transformation is nothing short of spectacular. The bold exterior livery features a pearlescent white graphic pattern emblazed on the rich, metallic teal-coloured fuselage and winglets, creating a striking and dynamic appearance.
The aircraft refurbishment was completed under the watchful eye of operators AllianceJet.
Jim Dixon, Managing Partner and Creative Director, Yachts & Aviation commented:
“The Winch Design team thoroughly enjoyed the fast turnaround of this bespoke interior and exterior refit and we are delighted with the striking end result.”
Words from the design team.
Details are never overlooked, even on a project with a tight turnaound. Vertical wood slatted cabin separators provide a visual separation but at the same time afford an openness to the cabin that's completely refreshing - and unusual in most business aircraft. Also note the herring-bone pattern in the cabinetry faces - a subtle yet eye-appealing detail.
And then of course there's the spectacular carpet which is almost reminiscent of a Van Gough painting. It's playful and bold, yet altogether relaxing and inviting. There's little question that the owner's guests will be pleasantly delighted on entering the main cabin.
D E T A I L S
About Winch Design
Winch Design is a globally leading multi-disciplinary studio, specialising in the bespoke design of superyachts, private jets, architecture and interiors. The studio was founded in 1986 by Andrew Winch and his wife, Jane, and now comprises of over 150 talented individuals who have designed and delivered some of the most iconic designs of the 21st century. Situated in an old fire station on the banks of the river Thames, Winch Design prides itself on having brought to life the dreams of its clients for the last 38 years; creating bespoke homes on land, in the air and at sea, now and into the future.


Learn more about Winch Design: winchdesign.com



Robin Butler / CEO - OmnAvia Interiors
ow many times have you selected a fabric that completely floats your boat and that you know your customer will love – only to learn that it’s wearability doesn’t measure up? It's happened to every designer, center and specifier at one time or another. And it’s not something you can afford to just brush aside. The durability profile of a fabric for use on an aircraft, is for better or worse, paramount to aesthetics. In short, if it doesn’t wear…it doesn’t work. But as with most things, knowledge is power and today we have one of the globally acknowledged “Titans of Textiles”, Mr. Robin Butler (OmnAvia Interiors). He’s agreed to answer a few key questions about textiles and in the process give us all a crash course and how to select fabrics with exceptional wearability - without sacrificing the aesthetics we’re all looking for.
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Interview and article by
R I C K W R O S E M A N
RR: So, to start off with I think I understand that a textile refers to the ‘base materials’ that are made from woven fibers - but at what point do textiles become fabrics? I know it’s a basic question but since it’s rather fundamental to our discussion, I thought maybe you could give us a brief explanation.
RB: Great basic question, Rick! Textiles are fibers or yarns that are woven, knitted, entangled or otherwise bonded into flat sheet-like structure. Each construction offers its own set of physical properties (stretch, stiffness, puncture-resistance, abrasion resistance, etc.) to meet the requirements of the fabric’s end use. This is the basis of textile engineering! To me, the real magic in textiles is in the science of fibers – the basic building block of all textile materials. The physical and chemical properties of fibers ultimately determine the properties of the end-product. The fiber’s cross-sectional shape affects light reflection (round creates lustre; irregular means dullness). softness and even moisture wicking performance. Fiber length controls yarn strength, and fiber fineness contributes to both yarn strength and ultimate fabric comfort. Natural animal and plant-based fibers (wool, silk, cotton, viscose rayon, flax, etc.) tend to be water-absorbing (hydrophilic) which improves comfort and dyeability. Most petroleum-based fibers are hydrophobic (moisture-repelling). These can be great for stain-resistance but not as comfortable for apparel use. Petroleum-based synthetic polymer fibers can be engineered to exhibit a variety of physical properties, depending on their ultimate end-use. I find fiber science to be fascinating.
RR: My next question may also seem a little basic for people in aviation, but just so we get the fundamentals out of the way, can you briefly explain how aviation approved fabrics are treated to pass burn and at what level that occurs? Also is it true that flame-retardant chemical coatings are designed to self-extinguish when exposed to flame?
RB: Textiles can be made to be flame-resistant in many ways. Let’s start with treating fibers before they become yarn. Several polymer types are inherently flame-resistant and, when extruded into fibers, these filaments have properties that keep them from igniting except at very high temperatures. These are typically aramids and meta-aramids - Nomex®, Kevlar®, and PBI to name a few. When made into fabrics they are used for fire-protective apparel such as firefighters gear and motorsports drivers’ suits, and cushion fire blocking fabrics. . But they are limited in their range of colors, so they don’t work well in decorative applications.Other synthetic fibers can be made flame-resistant by adding compounds to the molecular chain to make the fiber or yarn inherently flame-resistant. Trevira CS® is an example of a fiber that is commonly used in aviation interiors applications. Fibers such as wool and mohair and some synthetics are frequently treated in the yarn dyeing process, creating a flame-resistant yarn and subsequent fabric with durable flame-resistant properties.
Finally, fabrics are often flame-treated after weaving. The application of either an invisible surface treatment or a back coating that contains an FR additive are an effective means of creating fabrics that meet aviation flammability requirements.
All these treatments are engineered to cause the finished fabric to conform to FAA standards by either self-extinguishing or delaying full ignition long enough to safely escape a survivable incident.
RR: Ok, so with the elemental bits out of the way, let’s move on to more substantive questions. Why is it some fabrics are inherently more durable than others? And also, is there any truth to the notion that highly durable fabric options tend to be less soft or supple to the hand?
RB: There’s no short answer to this question. Generally, the tighter the fabric construction (yarns per square inch), the more durable the fabric. Durability increases when those yarns have longer fiber length and a higher twist. For fun, let’s add the notion that some fibers have a higher tensile strength than others – this makes those fabrics even stronger. But you can have a very durable fabric that is of a coarser weave or knit construction if the fiber type and yarn construction is designed for maximum strength. Fabric finishes (chemical or physical) also can affect a fabric’s durability.
As a general rule, it’s fair to say that the most durable fabrics (think “bullet-proof”) are also those that have the least appealing hand-feel.
RR: In general, can you tell us what fabrics or textiles tend to be best suited for aviation, and why.
RB: I hope I don’t go too deep into the weeds here, Rick. It’s a complex topic, but this really depends on end-use. First and foremost, aviation fabrics must meet the appropriate flammability standards for their application. Installations that require little to no aesthetics and high flame-resistance call for engineered industrial fabrics such as aramids or PanOx fabrics. Our audience here, however, is more interested in decorative textiles, particularly upholstery for aircraft. For the optimum combination of flame-resistance, tactile appeal and durability, fabrics made from wool and predominately wool/nylon blends perform the best. Wool is inherently flame-resistant, absorbs moisture, and has an excellent hand when the yarn construction and weave are designed properly. The fiber is easily dyeable in a nearly infinite range of colors, and worsted wool yarn lends itself to weave at high speeds (meaning higher output rates and lower costs).
However, many other fibers also make exquisite cabin textiles. These fiber types are polyester, cotton, silk, and rayon, plus even acrylic and nylon (polyamide) in low percentages. Viscose rayon and bamboo silk have a great hand and lustre and are frequently used in carpets as an accent yarn. They replicate silk, but at a much lower cost. Nearly all these fibers can be flame treated to meet specs. Most can be flame treated to meet specs. Olefin (polypropylene) is a poor choice due to its low melting point. When several of these fibers are blended – which create some absolutely exquisite weave pattern, texture and color options - they must be treated with a back coating that contains an FR additive and usually a latex carrier. This type of backing increases the stiffness of the fabric, although it rarely changes the surface color, texture or haptic. For some applications (panel coverings, certain upholstery trims, etc.) the stiffness is not objectionable. For other uses such as curtains, it simply can’t be used.
We recently had a designer who approached us with the challenge to provide a bespoke color of a weave pattern we offered. Her client loved the pattern, but the other cabin elements called for a color variation. Our overseas supplier quickly provided five or six color variations for presentation, and the client made his selection. Weaving the fabric in a short lead time in a small quantity became the next challenge, and again the mill came through. Next, the fabric needed to be flame treated, and it contained a small percentage of acrylic fiber in the blend. The mod center doing the installation was highly skeptical that the fabric would meet oil-burner testing, but our finisher worked his magic and the cushion assemblies passed without a hitch.
Not everything is possible,, but we have confidence in our competence and in the capabilities of our carefully selected vendor base.

RR: Is there any truth to the old stereotype that ‘if it’s beautiful and feels wonderful, it’s probably not durable?’ Has technology been able to change this and deliver fabrics that are truly beautiful and soft to the touch but at the same time, offer great wearability?
RB: Rick, this theory can be debunked with proper fiber selection (wool, silk, fine-denier polyester) and proper fabric design and weave construction. There is not a plethora of these fabrics available today. There are a few mills in the US still weaving wool, and there are mills in Europe and Turkey that are creating stunning fabrics with high abrasion-resistance. They are frequently using modern high-speed jacquard looms or specialized velvet looms to create incredible textures and patterns that are often jaw-dropping. There are also some finishing techniques that allow additional design elements to be applied to the surface of a base weave that create some stunning effects. We’ll soon introduce a limited collection of some of these patterns for the VIP designer who designs for large cabins and is seeking larger scale patterns to bring a “statement” textile to the cabin.
RR: As someone who has spent their entire professional life in textiles and aviation fabrics, can you give us some simple tips to remember when it comes to selecting fabrics that maximize all three of the big concerns: aesthetic, tactile and durability?
RB: Keeping the points in mind that we’ve covered so far – fiber selection, weave integrity, flame-resistance that can be verified by a DER. It’s important for peace of mind to source from a supplier who understands FAA/EASA flammability requirements, will stand behind their performance claims, and can use their resources to provide that hard-to-find fabric.
RR: Lastly Robin, can you please tell us what types of fabrics are most commonly used for seating upholstery these days – and if perhaps there are any new weaves that are trending at the moment?
RB: Trends are more for color and texture in fabrics today. The color palette has been in greys in recent years, but as in all fashion, trends change and we see some movement back to neutrals of late. We have introduced a few new fabrics constructed of epengle velvet’ jacquard weaves, as well as a flat-woven series of panel fabrics (Fortezza) that are visually textural and are high-performance. We constantly seek new and interesting fabrics for our clients. Textiles are my passion, and have been since my studies at the Wilson College of Textiles at NC State University. I want in some small way to share that passion with this marvelous industry that we are all a part of.
Thank you Robin. We greatly appreciate your time and expertise. I know my questions must all be very fundamental in your world, but I think many of our readers will benefit from your explanations and perhaps alleviate some of the grappling the next time they head to the design centers.
For more on Robin Butler and OmnAvia Interiors, visit:
Visit: omnaviainteriors.com




414 Foot Superyacht / for Charter
"Octopus"





This yacht was formerly owned by Microsoft's co-founder Paul Allen.
Her exterior was designed by Espen Øino Naval Architects and built by the German shipbuilders Lürssen in Bremen and Howaldtswerke-Deutsche Werft in Kiel.[3] The interior was by designer Jonathan Quinn Barnett.
Consisting of eight decks, including a private owners' deck, Octopus can host up to 26 guests accommodated in 13 staterooms and is crewed by a complement of 63 spread across 30 cabins. Entertainment facilities include several bars, a spa, library, cinema, gym, basketball court and multiple lounges including a forward-facing observation area. It has two helicopter[4] pads on the main deck: a twin pad and hangars at the stern and a single pad on the bow; and a 43-foot (13 m) tender docked in the transom and a landing craft. There are a total of seven tenders aboard. The yacht also has a pool, located aft on one of its upper decks,[5] and two submarines (one of them operated by remote control and capable of attaining greater depths). The latter was lent to Google Earth for the "Explore the Ocean" project.[5] Side hatches at the water line form a dock for personal watercraft. At an economical cruising speed of 12.5 knots, Octopus has a range of 12,500 nmi.
OCTOPUS can be yours for charter for only $2.2 Million per week.

M/Y OCTOPUS L.O.A. 414 FT.

When you open the door to the Lou Hansell Bespoke studio, the possibilities begin. Our artisans and designers have selected a palette of exquisite materials, with 51 shades of ltalian leathers, five metal and inner trim pairings, and personalization options. Driven by their boundless creativity, they combine their talents and craftsmanship to create pieces you’ll cherish forever.
louhansell.com


Bentley's coachbuilding artisans can bring your perfect car to life. With Mulliner, nothing is impossible.









